Hi and welcome back!
I knew at some point in this
blog fest that I would come across a topic that I admittedly don’t know a lot
about.
So far the information I’ve
shared has been based on subjects I’ve studied or have had personal
experience with while writing. Dialogue
is usually easy for me to craft, it’s just an area where I’m weak rule-wise; so
I’d love to hear what tips there are out there to help write it well.
I’ve been told by several of
my editors that my characters dialogue reads naturally. That the exchange is fluid and that the
sentences aren’t so English grammar correct to be unrealistic.
I'm sure that's important because dialogue is powerful. It’s
the interaction of your story, and just
like in real life, what a character says and what they think varies on who they’re
speaking to. That illustrates a lot.
The way your hero speaks to their mother versus their best friend depicts
character traits, which fleshes them out and reveals their motives.
Subtext comes alive in good dialogue, providing the hidden meaning.
You can deepen the drama; lighten
the atmosphere or sinuously springboard into your story with a good line of
dialogue.
So, going off the top my
head, some good tips for dialogue would be:
* Keep it true your
character. Go back to your cheat sheet
and let their tone and background show through how they speak as well as what
they say.
* Work around the action. I’ve read that the best dialogue exchange
occurs when the speakers are not stationary (i.e. avoid the sitting in a car and at a table/over
lunch conversations.)
* Use vernacular
about avoid stereotypes. I confess I
like modern euphemisms and good puns. I’ve
never asked a copy-editor whether or not they keep Urban Dictionary on hand, but I imagine they have a few stories that require it as a reference guide. I think it’s cool to create a great visual using
new construction words, you just want to be sure that it doesn’t slap what I
call a “yeah, man” label on your character.
* Be loose with
it. Have fun. Like all writing your brain will go into
gridlock if you try to force it.
Personally I
fear the “talking heads” syndrome, where the verbal exchange is bland and wasting page space. When I start to slip
into that void the only cure is for me to step back and spend time out in the world,
to reacquaint myself with how people talk causally.
And now I’ll ask – what tips do
you have for good dialogue? Any favorite lines that make you laugh or cry?
Thanks for reading and please come back
tomorrow for *drumrollllll* E is for
EDITING.
See you then!
-
SNG :0)
I like making my characters talk while food is involved. Maybe they're having dinner, or putting away groceries. Maybe that's some weird Freudian thing, but I think food and dialogue (for me, anyway) go hand-in-hand (or mouth?). :-D
ReplyDeleteYou know, I debated about putting that tip in. It's a famous Maass guideline and I can see why it works (an action situation framing the dialogue) but I've also read several strong scenes with dialogue delivered in an eating setting. And I remember that you like that. It's a good comfort concept, discussing things over food. It has a nurturing subtext to it. Sounds cozy to me. ;0)
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