*Shelley clears throat—hums
loudly*
MUAHAHAHAHAHA!!!!
Tonight’s
letter gave me the perfect opportunity to do that—V is for Villain.
One
would think that a villain would be an easy topic, but I found that it really
brushes up against our last letter, the Usual suspects.
In a
majority of fiction today, the villain is one dimensional. He’s bad to the literal bone. Which makes sense because he is the bad guy, but like secondary characters, there are archetypes to the baddies.
These outlines make for strong villains, they play the role right—I mean, if you can’t be good, heartless is the way to go, however in the genre I write--Romance--the villains need not always be so mean. In the last novel I wrote, I took a different tack with my villain, and in turn, got a lot of feedback. Going into it I thought of the bad guy as a real person, and I asked, “What would make this character do this despicable thing to the heroine?”
These outlines make for strong villains, they play the role right—I mean, if you can’t be good, heartless is the way to go, however in the genre I write--Romance--the villains need not always be so mean. In the last novel I wrote, I took a different tack with my villain, and in turn, got a lot of feedback. Going into it I thought of the bad guy as a real person, and I asked, “What would make this character do this despicable thing to the heroine?”
In the story, the baddie is an ex-fiancé who technically
leaves the heroine at the altar on their wedding day. This should make him an unforgivable @#$&*!, right?
But I wanted to pull on the
heartstrings of the reader a little bit, so I gave the ex a reason for doing what he did. Yes, I
gave the jerk enough “likeableness” for the reader to be conflicted
over his motives. In the end he
still does the evil deed, but you can sort of understand why.
This is a fantastic counterpart to have
in your story. The reader wants to connect to the villain but can’t
because the badness gets in the way.
This technique has been used in breakout fiction quite a lot in recent
years—Severus Snape has one of the biggest frickin’ fan clubs I’ve ever
seen.
When the reader can relate to the
villain—just a little bit—then the drama begins. The bad guy isn’t merely a dark soul, he's a lost one.
It’s important to keep the balance, the
villain has to remain parallel to the hero, but a touch of concern makes the
reader really consider your bad guy, rather than simply write them off in the beginning. That makes for great tension. You want your
reader to be torn, to scream,
“I want to like you, why must you be so bad?!”
“I want to like you, why must you be so bad?!”
Then your bad guy can tip his black hat
and reply,
“’Cause I’m the villain. Muahahaha.” ;0)
Only four more letters to go!
Please come back tomorrow—W is for WORD
CHOICE.
-SNG
Hi Shelley,
ReplyDeleteI always wondered how to spell MUHAHAHAHA. LOL.I really enjoyed your V post on villians. I love villian who are not just bad, crazy phychopaths, but your everyday Joe who make really bad choices- one after another- which causes them to cross the line. They make great bad guys because they're still scary and the reader can actually see a part of themself in the villian.
Hi Nancy!
DeleteSorry to pull the FB post - I really did spell Muahaha wrong, if you can believe. *laugh-snort* I'm glad you enjoyed - I whole-heart agree. The everyday Joe can be a great villain when left wayward. Those kind of characters are actually a little scarier in a way.
Thank you so much for checking out my blog.
Shelley :0)
Stopping by via A to Z. Great villain post!
ReplyDeleteHi, Jenny-Welcome and cute avi!
DeleteThanks for checking out CN!
Shelley :0)
Great example using Star Wars! Even though George Lucas can't write dialogue to save his life, he creates some memorable and fleshed-out characters.
ReplyDeleteHey Lady!
DeleteThanks, I've been trying to cut down on the movie references, but you can't talk villains without Darth Vader popping up somewhere.
Thanks for checking in! :0)