About Me

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A writer by predilection, an aunt by blessing and a friend by choice, Shelley has spent many years journaling before sitting down to draft her first novel. She has a B.A. in English discourse and is currently working on her third romantic-suspense, the title of which will be announced soon pending publication. Shelley is a member of the Romance Writers of America as well as her RWA state chapter of the Maryland Romance Writers.
"I love story-telling. It's a way to live an experience through the eyes of a character." - Shelley N. Greene

Monday, April 2, 2012

B is for BACK-STORY


Hi everyone!  Thank you for coming back.  Yesterday’s entry started the blogfest on an unsteady foot, I didn’t expect to get so technical with all the English composition. Eek!  :0/

            Moving forward I look forward to being a bit more easy-going with the entries.  This blog is meant to be an open forum for writers.  For me, that means talking candidly about the real life experiences that stem from that journey.

            And today is day two:  B is for Back-Story.

            Back-story is the history of your character, from hero to villain to sidekick.  It’s the background, all the facts about a fictional person that the reader doesn’t know yet, and the writer needs to convey. Needless to say crafting a fluid back-story can get tricky.

            Let's create a basic heroine to stand as our example.  Say our girl has raven-black hair, brown eyes, grew up in the Bronx, likes ketchup on her macaroni and cheese, has a cat named Fluffy...


            Okay, let’s stop right here.  Before we bring Fluffy into the fictional fray, we have to recognize that this is our character’s life.  There are a million particulars that we-the-writer know about our heroine but dispensing that information requires a delicate hand. The goal of all writing is to suspend disbelief and make the story engaging.  Information delivered too fast or in a lump runs the risk of severing the connection of the reader to the characters, which is the opposite of your goal. 

            This pitfall involving back-story is what a lot of editors call the “Info Dump.”  The info dump is when we-the-reader are following the character through the initial chapters, rolling along with their exploits when wham!  The hero/ine suddenly launches into a mental monologue that summarizes their whole life.  They drop all their info on us in a matter of paragraphs, burying the reader in a heap of outlined facts. 

Image Source
           
            You may have picked up on this in novels you've read  in the past.  Along with the resulting, whoa, where did all THAT come from? afteraffect.

            All writers are guilty of penning an info dump at some point, me included.  I assure you that the backing up of the truck is not intentional; it’s just in result to wanting to present your character to the reader. The challenge of the writer is to describe the dynamics of their main character. And the information being relayed is importantit's just equally important to make that introduction believable without giving too much away in jarring lumps of raw data. 
           
            It helps when I think of it like this: 
How would you write the back-story of your life?

            What would bring about those recollections of the past?  Would you walk around thinking, I was born on a warm, spring day in a small town north of the Shenandoah valley… 

             Um—no.

            Real memories wouldn't come out in a long spiel; more likely, they’d bubble up in little mental spurts.  And the person would need a reason to reminisce.  Maybe they'd see an object that in turn sparks off a remembrance of something long-ago, a memory that leads the mind to wonder...and so the history is disclosed.

The same processes goes for your characters.  They need personal “triggers,” something that gets them thinking about their past; a real situation that allows them to reveal their back-story in little pieces.


 Maybe the heroine is an independently wealthy debutante who loves to shop.  Happily buzzing around the mall she stops in front of a window display, a blue silk scarf like the ones her mother used to wear catching her eye, pulling her back to the time before her parents divorced…


Take a hard-as-nails construction foreman who walks with a limp.  When a co-worker calls in sick, he’s asked to work one of the large bulldozers.  His outward bravado drains from him as he freezes in front of the metal monster, immobilized with fear.  He hadn’t stepped foot near one of those machines since the day of the accident…


  Dispense the facts on your fictional people but keep it intriguing.  A reader can’t wonder about what they already know, so leave a bread crumb trail for them to follow.  A little mystique goes a long way.

            Kind of like baking a cake, you can fold in the nuances of your characters past step by step.  Let your hero/ine have secrets that are hinted at by the way s/he behaves.  Try to pace it, and hold out on uncovering your characters epic qualities until at least the middle of the story.  

            You also want to maintain separate points of view for each individual character.  Plug yourself into their sneakers, boots or stilettos every time you’re writing from their head.  Keep a separate journal of facts to pull out when you’re writing to remain in touch with that character’s distinct perspective (don't lose Fluffy).  Hint at your characters hidden traits and let those nuances be revealed over time.  Then the reader will feel like they’re getting to know a real person.    

            It’s funny; the best back-stories I’ve ever read are always difficult to point out, I think that's a sign that they’re good. They’re written so seamlessly it’s almost like the structure of the back-story is invisible.  We-the-reader are in the characters head, tagging along for the ride with no bumps on the road to break the connection.  You are there with the character with no questions.  That’s how you want your back story to read, too.

            And I’ll leave you with a small challenge.  Walk over to your bookshelf sometime this week and find a novel with a solid back-story, one so good that you really have to look to "see" it.  Ask yourself what aspects of the writing made it so believable?  What is it that makes the hero’s past easy to understand? 

And if you’re so inclined, please reply to this entry and tell me about it.  

Good writers are good readers and I’d love to hear your feedback and book suggestions.  :0)

            So this ends day two of the A to Z Blogging Challenge!

            Please come back tomorrow for day three – I’ve been looking forward to this one:  

C is for Conflict. 

            Oh boy, this is gonna be fun.  *evil grin*   See you there.

-          SNG
          

Sunday, April 1, 2012

A is for ANALOGY


Hi everybody and welcome to day one of the A to Z blogging challenge!

            As promised I will be keeping the entries writing related, and today we start with A is for ANALOGY.

            My critique partner Sarah and I were playing an online word game the other week and this got me thinking about the nature of writing.  While games challenge a person’s skill at taking loose letters and forming patterns of words, a writer takes loose words and forms patterns of sentences and symbolism. 

                 
Of course I racked my brain for a good examples for this entry, but analogies are special because they are a step up from both similes and metaphors.  

              Metaphor: a comparison between the two unlike things that share something in common. (The [first thing] is a [second thing].)
               Exp:
                 “All the world is a stage.”  - Shakespeare

              Simile: compares two different things using "like" or "as.”  Also referred to as “open comparison.”
               Exp:            
                 “She took to the work like a duck to water."

              Analogy: A comparison between two things, typically on the basis of their structure and for the purpose of explanation or clarification.
               Exp:
                “He felt like a fish out of water." 
           

A few famous examples include:

            “... worrying is as effective as trying to solve an algebra equation by chewing bubble gum." - Baz Luhrmann, Everybody’s Free (to Wear Sunscreen)

            "Like is like a box of chocolates, you never know what you’re going to get." – Forrest Gump

                                    
          The comparisons also help flesh out subtext and meaning.  And despite their complexity, there’s no need to be intimidated by how to craft a good analogy.  The key when writing is to concentrate on the relative comparison of what you're trying to convey. 

And so wraps up day one. 
                
  Please reply and let me know what your favorite analogies are and come back tomorrow for day two of the A to Z Blogging Challenge!  B is for Backstory.

I look forward to seeing you!


- SNG 

Wednesday, March 28, 2012

The A to Z Blogging Challenge!

Hi everyone!

We're going from seeing too little of me to too much.  LOL.

To help streamline my blog, and to act as a great daily writing practice, I've joined Sarah in the 2012 A to Z Writing Challenge!




Starting April 1st, I'm going to post one blog entry every day, starting with A and corresponding with every letter of the alphabet until we reach the letter Z.

Each entry and letter will be writing related, allowing me to stretch my creative muscles and to see how I fare at this challenge of blogging skill.

I hope everyone will check in with me each day, I look forward to keeping it brief, informative and fun!

- SNG

Monday, December 26, 2011

The Resolution



Another long delay between posts—sorry.  Amends must be made.  If I’m tardy again I will let you pelt me with water balloons.  Deal?

‘Kay.

 Life’s been busy but I am doing my best to be a good blogger.  I did just receive an e-reader for Christmas so I’ve been a little distracted.   I thank you for sticking with me.

            My holiday was lovely, as I hope all of yours was as well.  I find myself full of enthusiasm for the New Year.  

            And as New Year’s Eve approaches I need to perform what has become an annual tradition.  In addition to writing, I journal and take photographs to scrapbook my memories, and each book becomes the chronicle of that year of my life.  The first page of each book is always titled the “Buh-bye” page and is made up of a collage of pictures representing all the major events and trends that happened in the previous year. 

The second page is my “Resolutions” page.  It’s a bullet-point list of all the goals I have for the New Year.  The ritual is that I pull the current book out after Christmas to add the last of the year’s pictures, and then I look back at that the resolutions I’d listed.  I get to see if I’d accomplished what I’d set out to that year, and the number of the resolutions I cross off is always a mixed bag.  Inevitably I hit the big goals, but there are the years when unexpected changes occur, the “lightning-strike” events that you never see coming. 

“The only constant is change.” - Heraclitus

           And while reading through, I noticed that my big goals for 2011 had a way of coming true despite the challenges:

·         Attend RWA 31st Annual Conference in NYC
·         Have formal author photos taken
·         Take birthday off
·         Spend a week in the Adirondack Mountains

I sat looking at the pages with great appreciation.  Life is made up of memories.  What you do and accomplish sticks with you forever, and the concept had me thinking about the big adventures I've had in the past.  “Life material” from trips that started as little bullet points on my Resolutions list.  Sitting cross-legged on the floor, I flipped through this year’s words and photos, the memories looking up at me from their preserved pages.

That is what I love about storytelling.  Writing takes a moment and makes it permanent.

And right now I have some good news, a new moment to share, I just need to wait a little bit longer before I can announce all the details.  To be truthful, I'm afraid of jinxing it.  But expect a full entry about it soon.

And with my resolutions for 2012 there is this static electricity in the air, a sense that this year is going to bring with it some big changes.  It’s a good feeling—exciting and a bit scary.  I think that’s why I’m hesitant to type the words. 

I mean, what if it doesn’t happen?

            *staring at the blinking cursor*

            It shouldn’t be this hard, typing a sentence.

            I mean, come on –I’ve climbed a mountain, seen a masterpiece up close … *deep breath*

            Here it goes…



            Resolutions 2012

·         Publish my first novel



*staring at the words, mouse hovering* 

I’m letting it stay there.   

*Moving hand away from mouse and the Delete key*

It needs to stay where I can see it.  Where I can come back to it a year from now.

I can.  I will.

If not, there’s always next year…


           
-          SNG


Wednesday, November 2, 2011

The Summit


Traveling alone is a never a good idea.

Admittedly, I did it because my idea of fun is sometimes considered boring to my friends and I’m of the obstinate mindset that if I want to do something, I don’t let being single stop me.  One time I wanted to see a Norman Rockwell painting up close, so I did it.  Another time I wanted to see the sun set on the Pacific ocean - well, that time I had company.  This year I wanted to see the changing leaves in the Adirondack Mountains.  I’d read about the scenery in books, owned the PBS special on DVD, and had to see the multi-hued glory for myself.  And so the wheels of fate were put in motion…

While out to dinner with my best friend one night before leaving on my trip, I gushed to her about my plans.  I went into a long description of the trees and why I was so eager to see them.  “From what I hear, they’re incredible in the fall. The colors…they say you can find your soul in the trees,” I said rather dreamily.

It must have been the faraway expression on my face because my friend smiled like she was humoring me. “’Soul in the trees.’ Okay, no more wine for you,” she said as she moved the glass away from me.

Laughing at her joke, I doggedly returned to my explanation.  “It’s true. The nature is amazing, people go up there to find themselves.  And when I come back I will have a picture called ‘Soul in the Trees,’ watch me.”

“You do that,” she challenged.

So I grabbed my camera, and with the remainder of my vacation leave, I set off.  I tried to get someone to go with me, but there were no takers at the time.  My best friend had family obligations and my sister would’ve gone, but she couldn't spend too many consecutive days out in the woods, so I let her off the hook and made arrangements to go by myself.  When informing others about my trip, everyone looked at me like I was off my rocker.  I had three people offer me mace and two imply that I was going to be eaten by a bear.  And, granted, the comments did reinforce the instinct that I was acting impulsively, but it also fueled my determination to go. 

The trip was something I had to do, something spontaneous, even if it marked me a fool.

I left early on that Friday and played it safe the whole way:  I called, checked in, made sure to only stop in well-lit, well populated areas and only when necessary.     



Baltimore at dawn.  (Photos by Shelley Greene)


            I arrived at my little cabin on Friday night. 

Early in the vacation planning I’d devised the codename Camp IAmWhatIAm (the real name an extension of the nickname) for the place I stayed.  With a fireplace, bedroom, flat screen TV and washer/dryer, it was cozy.  The lady who rented it to me even left me fancy toiletries (lavender soap) and a range of food to eat.  The first night I settled in, making myself at home, only to find I couldn’t sleep.  For some reason I hadn’t left my restlessness back in Maryland, and it seemed like all my current problems were haunting me. I sat awake worrying about work, my writing, and feeling this heavy weight sitting on my chest.  In the quiet, the internal voices became loud, saying things like I hadn’t accomplished enough, or that I hadn’t done things the right way. Strange feelings that were a personified anvil on my chest, pinning me down. 

The fresh pine smell of the cabin walls reminded me that I wasn’t in my own bed, and for the first time since I was little, I had to fall asleep with the TV on.  I found a cool movie to watch, however. 

     I was up early the next day, ready to get my pictures.  Pulling out my file folder with my agenda and Xerox copies from travel books, I noticed that there was still this underlying drive to accomplish something.  I felt punchy, and I couldn’t shake the feeling.  On a budget, and keeping in mind safety tactics, there was this odd sensation of being caged.  At this I reminded myself that taking steps to be careful was to ensure I didn’t fall down a mountain, drown in a lake or—in fact—get mauled by a bear.

Yes, those were the sunny thoughts that jumpstarted my morning.  You go on vacation to escape, and I’d traveled over 490 miles to get away, relax and to take pictures of the trees.  I wasn’t about to go home empty-handed. 


Mirror Lake


Determined to get good pictures, I took an incredible boat tour of Mirror Lake and found out from one of the guides that the leaves were at their peak of color change a few miles south, near Whiteface Mountain.  Pulling out my folder, there was an “easy” trail near that, a bit south of Lake Placid.  The article stated that the hike was two miles, one way, but that the hiker was rewarded with “views of waterfalls at the summit.”

            I’m going to pause to mention that my voice of reason did go off at this point.  My subconscious very succinctly rattled off all the common sense laws to me:  

You never go hiking alone – what if you fall?  The chance of you having a cell phone signal is slim, especially when you’re unconscious and bleeding!

            I heard every word, but I sat in my car near the mouth of the trail watching the parking lot overflow with hikers, families, little kids—all on their way down the path.  Seeing the people, gauging the time of day and the fact that the travel book rated the trail “easy,” I was swayed.

And two hours later I was sweating profusely, breathing erratically and clinging to the side of rock.

            Wearing skinny jeans and basic running sneakers, a heavy camera in tow, the 75 degree heat felt like 90-plus as I hoofed my way up the rocky, muddy terrain.  I'd followed a pair of women onto the trail as large groups with children as young as seven years-old passed us, the little ones bounding up the rocks like the little goats they’re named after.

            Pushing myself forward, an hour-and-a-half in, I’d fallen far behind the two ladies I'd been tailing. The trail, from my perspective was far from easy, but I'd attributed that to my inexperience.  It seemed precarious; every advance forward requiring a hand-hold on to tree and the careful positioning of your feet to ensure you stepped on the rocks correctly; any wrong move had the potential of you taking the express way back down.  My heart was pounding, my jeans stifling hot, and I only had half a pint of water on me. Exhausted, I was torn between seeing the waterfalls and giving up. I felt like I’d come so far that the idea of turning around was not an option.  

             I didn’t want to fail.



  
            Catching the attention of a hiking couple who were coming down, I asked the man if they’d made it all the way to the top and I how much further it was.  The guy turned out to be an experienced hiker and told me that it was another hour at least, especially at the pace I was going (which was snail slow). Looking around, he tried to identify my hiking party and began asking me questions.

            “Did you come up here alone?” 

            I nodded, and to his everlasting credit he did not look at me like I was an idiot or like I’d be the first person to go out Darwin if this were Survivor.

            “How much water do you have?  Did you bring food with you?” he asked.

            “Some water, no food,” I answered honestly, feeling unprepared and foolish.

            “It’s pretty far still and it gets muddier as you go,” the lady added empathetically.

            With a sheepish shake of my head, I looked back down the distance I’d come and frowned. 

It was clear that I was ready to go back but I couldn’t give up.  The guy then opened his backpack, pulling out a liter bottle of water and a ziplock bag full of Chex mix.  Handing the lot to me I just stared at him, dumbfounded.

            “Oh, I can’t-” I started.  But he insisted.    

“I don’t need it, but you will if you’re going to make it to the summit.  And just a word of advice for next time—never wear jeans hiking. Short-sleeved shirts, shorts and layers,” he instructed.

            They both wished me luck and I continued to follow other groups up the mountain. Small children and dogs of every shape and size began to trot past me as I steadily navigated the boulders and peaty areas. The mud got deeper, slopping up my pants and seeping through my sneakers.  I grew even more tired as the air got colder, the wind picking up.  Slumping down on another boulder, I guzzled some water and pulled out the Chex mix. On the bag was a label with the name Greg written on it in sharpie marker.  So that was his name. 

  Picking out the pretzels, I stopped to look up at the trees. Golds, reds and emerald greens shone like stained glass above me and I exhaled.  There is soul in the trees, I thought.  For that one moment, I felt my body relax, a calm coming over me, and I realized: this is what the journey is about.  

This, right here. 




After the rest, I gauged the air temperature. It was cooler, so I was close, maybe another thirty minutes.  I ran into another couple on their way down; a gentleman covered in mud up to his bare knees, carrying one Corgi while another bounded over rocks on short legs; his wife following them.

            I asked again how far away I was, and they confirmed that it was another half-hour, moving about as fast as I was.  Gesturing to his pet, he, too “[had] an extra 30 lbs to carry,” because the poor dog was worn out, his little mud-strewn paws dangling over his owner's arm.  

            Pooped was the popular consensus.

 Considering what photos I had already and what resources I had left, I decided to let it go.  I may have been only twenty minutes away from the summit by then, but I decided not to push it.  I’d gotten what I'd came for, and it was time that I turned around and headed back down.




            The trip back used different muscles than going up; more toning than cardio.  My heart took less of a beating as my legs picked up the slack.  Stepping on the right stones made for a lithe, hopping dance that picked up in tempo as I descended.  Pausing only to snap more pictures of the red trees while I talked to hikers passing by, two twelve-year-old boys soon jumped past me, their father straggling behind them with less exuberance. 

            “Have they hiked all their lives?” I asked.

            “No, first time,” the dad replied.

            “Impressive, but the book I read labeled this trail as ‘easy’ so maybe it’s just me.”

            The dad gave me a confused look and then went on to say that the trail was most likely marked “easy” in comparison to other trails in the area, not on its own. It dawned on me that every hike around the area was advanced, what we’d just climbed was a small mountain, one of many in the entire Adirondack park.  And the trail didn't end with waterfalls, he affirmed.  He’d ventured the hike many times before and was certain.

            I was on one the shorter practice trails, but still...in completely wrong hiking clothes and with no supplies?  Was I nuts?!   Apparently.  And this was labeled easy in print?  I personally vowed to write a letter to the publisher of the travel guide.  Footnotes are needed—footnotes and asterisks!  If only to save idiots like me.

           I wondered what the 46er peaks were like in contrast.  They were no doubt the most challenging, I imagined.  Any one of them would make the Cascade Trail hike look like a warm up.
          
            I made it back to the parking lot shortly after that, walking along the railing to the entrance of the trail when it hit me.  It turned out okay. I’d made it out—

            The next cognitive thought I'd recall after that smug realization was that my cheek was smushed up against asphalt, my gifted bottle of water drizzling into my hair.  

I’d stepped on an uneven slab of pavement, fallen, twisted my right ankle and scraped my left knee. In a parking lot.  With people all around.  

            The look on the cashier’s face when I hobbled into Rite-Aid was great, too.

            “Can I help…you?” she asked, glancing up from her register, getting an eyeful.

            “Nope, I think I’m beyond help. But thank you,” I replied, tossing the individual contents of a first-aid kit onto the counter, poised like a macabre flamingo.

            As I was able to put weight on my ankle, and the swelling had not expanded to sizes fit for MLB or the NBA, I assumed it was quasi-okay.  The knee, however, stung like the dickens, as any scrape on a bendable joint does, but I stopped whining long enough to deal.  The full force of my idiocy sunk in then.  My lovely little faceplant was public, and my mother—psychic as she is with that handy mom-intuition—texted me right after it happened, checking in.

            There is no need to remind me that I’m destined for someplace hot and fiery for Googling "symptoms of a sprained ankle" while texting my mother (who works in the health field): Everything's great, having a fabulous time!  *smiley face*   

I know, I know...

            Later, while I was deducting the jumbo band-aid expense from my already meager budget, and watching Breakfast at Tiffany's in front of the fireplace, I figured there had to be a lesson inherent in my little misadventure.  Immobility forced upon me, my purple foot propped up under a bag of ice, it was clear the universe wanted my attention.  Pondering what my experience could be compared to, the only analogy I could think of was a writing one.  I’d been so worried about mistakes in my story, in my work.  The fear of not making it or failing pressing down on me. The urge to take action making me brash and impatient. Sitting there, swollen and stinging, it came to me: success in writing is like climbing a mountain.

      And you need to:

1.       Know Your Mountain – Whatever goal you set for yourself, you have to know where it ends, where the peak is.  Ask others or attain more than book knowledge of what you’re going after.

2.      NEVER Go Alone – I wouldn’t have made it as far as I have without help. With my writing, my hiking partner is Sarah, my CP.  She’s there to make the trek with me, to scout out the terrain. She’s always prepared and knows there will be tough moments where the mud and climb will feel like it’s swallowing you whole. Today, I have a guy named Greg and his girlfriend/wife (the lady in the powder blue Yankees baseball cap) to thank for my safety.  If you’re out there, reading this, you gave me knowledge and showed me kindness, and I can’t express how grateful I am for that.

3.      No Path (or Career) is ever “Easy” – Just like the trails, labels like easy or difficult are just meters of comparison. Writing, held up against any other job, may seem easy like the trail was, but in reality it’s work. Being an author may look like fun, like all we do all day is sit around drafting love scenes and I wish it were that simple, but it’s not.  Drafting, editing, working with deadlines all makes the job of a writer a mountain, not some small trail. There will be times when you want to give up, looking up and finding nothing but slippery rocks and mud blocking your path. If you fall, you’ll fall hard. And the moment you want to quit is when you are almost there.

4.      Be Prepared – Bring the appropriate tools for your journey.  There will be obstacles.  You will get tired and feel like it’s insurmountable, but it can it be done with the right equipment (your work, education, research, the feedback of your CP/critique group as well as guides you meet along the way).  Take a writing course or attend a seminar, with the right preparation, you can avoid major pitfalls.

5.      Have the Heart to Go – I felt the soul in the trees (and I have a lovely 8x10 glossy print for my friend, the skeptic. Lol). But only because I was brave enough to go get it.  Jump into your story, live it, chase it—start writing and don’t stop until you type “the end.”

My journey helped me see that.

And as I sit typing these words, nursing a puffy right lateral malleolus (the lump of bone on the side of your ankle), I’m thankful that everything turned out okay. I had a great vacation despite the accident and the doctor says the ankle is sprained, but not broken (thank goodness).  Just mad at me for trying to push it into a range of motion with which it wasn't accustomed.  It will heal and the even though it hurt, I got the message.  And on that note, I’ll tack one final bullet point onto the bottom of our list: Watch where you walk, no matter how beautiful the scenery is around you.  



A nine-hour drive home is so much more enjoyable when you do. 

-          SNG  ;0) 

Sunday, October 23, 2011

Under Pressure

I have a confession to make.  I told my CP Sarah, because I couldn't stand keeping it from her.  The contest entry deadline happened to be the last week of work before I was slated to go on vacation.  Admittedly, I was feeling a little crazy.  Long work days, lack of sleep, a pressing deadline and a neighbor who likes to blast an eccentric brand of music outside my window late at night were all contributing factors.  So here it is: After having a finished, edited product, I went on a late night rampage and changed parts of it before I turned the entry in. 

I post-edit tweaked.  *blush of shame*

            It was a late-minute attempt to make the entry better.  I’d felt so discombobulated when drafting it that I didn’t think what I’d written was up to par.

             I strive to write every evening, but the longer workdays are grueling and those are the times when the writing simply doesn’t happen.  Those nights I barely get dinner before sleep becomes the main priority, but I do try.  Even if it’s just fifteen minutes, it’s something.  Sarah and I had twelve days to have our contest entries ready, and to our credit, I think we both performed well amid some big life disruptions.

            And despite my neighbor’s impromptu party in the parking lot, my mind was already pretty locked up.  I was tried, distracted and I felt like there was too much gazing going on in my entry.  I sat staring at the screen thinking, “the words are reflecting the author...”  I made last-minute changes and after reading it over with fresh eyes yesterday, I found that I’d some dropped words as well as made several receiver-versus-source adjective errors.  Many of the problems stemmed from the changing of compound sentences into stand alone ones (removing the comma and adding a period), but still, I am afraid.  I feel like I was rushed and I fear that what was submitted wasn’t my best work.  But even if I’d had more time, I think the result would have been the same.  I needed to stay focused and that was difficult. 

And Sarah was wonderful; the initial draft was perfect, not a single error.  She stayed up late in the night working on it with me.

And this got me thinking.  The pressure is part and parcel of the job, isn’t it? Periodic insanity is listed in the job description?

As an author you have big commitments and serious time schedules for publication.  There are days when you can’t wait for life to ease up or the muse to come; you have to hunt down the inspiration and get the job done.

 Through this experience I got a taste of what that feels like and I gained a great respect for published writers who work with deadlines all the time.  With the world as challenged as it currently is, it’s hard to keep your head in the story.  Anxiety is palpable with today’s economy and it really takes skill to set aside your worries (whether it be family, finance, how well received you book will be) and stay in tune with the writing.

How do professional authors handle the stress?  I wondered. 

I’m sure my ten-pages-in-twelve-days contest must be a walk in the park in comparison to a full manuscript, but that’s what a published writer does. That’s what you accept if you want the career.  And they have the good grace to rarely complain about it, or if they do, it’s in the privacy of their own home.  (I wonder if my neighbor is going to report me for giving him the stink-eye.  But, to be fair, music after 9pm is noise pollution, and to a night-writer it’s psychological abuse, so I say we’re even.)  

 I guess the secret is practice, lots of run through and dedication to the story.

And in the end, I don’t think my entry turned out bad.  It had to be cropped down to ten pages and that was tough.  The scene Sarah and I carved out was good; my couple’s first kiss.  :0*

                        
                      
I know that it has its flaws but there is lots of gold in it as well, and with the talented folks looking at it, I'm flattered just to have it read.

And the overall experience will be beneficial. I'm going to gratefully accept every bit of feedback and moving forward I’m going to make an exercise of having certain parts of my manuscript finished by a set time. It’s a smart habit.  You want to incorporate the tension into your daily routine, that way you’re used to it. 

Don't let the pressure slow you down, instead use it to propel you forward.

Monday, September 19, 2011

Beginning with The Kiss

 Well, it’s been too long again.  I’ve tried to be a good blogger, I swear!  The other night I lamely insisted to Sarah that the internet had abducted me, which it did.  It sucked me right in after a long day at work.

And that’s been the pattern, work all day and then easily distracted at night.  I’ve been struggling to stick to my second shift, but something in the shift has felt daunting.  And it’s a shame because I love my story; every minute my imagination takes me to some part of it, allowing me to get lost in it.  It’s a great tale and it deserves to be told.

So why the dragging feet?  Because it’s not easy to start a book.  There’s so much set up; character descriptions, setting, back story, all seamlessly rolled into the plot and point of views.  It’s challenging and lately I’ve been fighting “talking head syndrome” or what I refer to as the “Charlie Brown Teacher Effect” where the characters are whont-whont-whonting at each other and I don’t even give a crap what happens.  You want to avoid that at all costs, for sure.  Fight the whonts! The cure for that is to stay in a perspective—any perspective—and hold on to the meaning of what’s happening.  Hold on tenaciously—don’t let the feelings go.

But even then the responsibilities and pressures of everyday life have been an interruption, sucking the time and energy away before I can stop it.

And that is honestly what I’ve been up against.  The black hole of distraction, the restlessness and resulting inertia. The unconscious resistance to keeping the derriere in the chair. 

I needed some motivation (and a swift kick in the butt).  And so I asked, the universe delivered.

The opportunity arose in the form of a contest.  For pre-published (this is the term our president of the Maryland Romance Writers, Sharon Buchbinder uses because we aren’t unpublished, it will happen—and I love the creative visualization) authors to submit a scene from their manuscript.  A specific scene, the first kiss.

You never realize what form motivation will take, and man, I didn’t see this one coming.  The first kiss.  That scene in my book has been rolling around my brain for months, I just figured I had to work for it first.  That it would be the boon of me doing the legwork of the intro chapters.  It’s the carrot I’ve been trotting after, it just seemed to be held so far away.

I hesitated at first and then my critique partner, Sarah stepped in as my voice of reason and cheerleader.  Why can’t you write a future scene first?  If you’re seeing it so vividly just get it down on paper, then you can connect the pieces later like a patchwork quilt.  It may even give you important tidbits of information that are relevant for linking the scenes together.

I can write the first kiss, I thought.  And for the first time in weeks I felt this charge of excitement.  I get to write the part that we all look forward to, the first contact, and this got me thinking.


What is it about that first touch of intimacy? 

To be truthful, I don’t entirely remember my first-first kiss, but I fully remember the important ones.  And that’s what the moment is about.  It’s the true kiss that we all wait for, and eagerly look forward to.  The tingly one, the one that signals that who you’re with is the right match, the emotional and physical risk you should take. That green light to the fulfillment a relationship brings.

That golden moment.  I have twelve days and ten pages to write it.

I feel surprisingly animated despite the tight deadline.  We’ll see how long that lasts (*guffaw*).  I may be on the ledge by Thursday, but I'm ready to jump back into the writing.  I think that’s what I’ve needed—high stakes and some incentive. 

My couple’s kiss has been a marathon movie playing in my head and maybe that means it's time I shared it.

 I can do it, right?  Wish me luck and I'll report how it goes!

-          SNG :0)