Research is a double-edged
sword for some. For me,
it’s another one of those, “I know a little about it, but not everything” kind
of topics.
This being the digital age, I understand that most research is
done through the internet.
And when preparing to write a story, a writer has to
perform a lot of research on an array of different topics. What your character does for a living, their
psychology and even the car they drive can all be reasons to hit the search engines.
One personal research experience I have is with my second romantic-suspense. The plot centered around a team of FBI agents, which resulted in more research than I ever imagined.
Sarah and I had quite a few long conversations about everything from
what firearms an agent would carry to whether or not my injured hero could handle the
kick-back when shooting one-handedly.
And aside from all the physical spy-guy stuff, there were a several girly queries too. The HEA for one of my heroines involved a hunk of a diamond engagement ring. When looking up information on Harry Winston, I discovered that the company rarely works with stones that are smaller than three carats. So in order for the facts and the fiction to come together and still be feasible (a FBI agent with a Harry Winston-sized salary), I had to do a lot of research.
And aside from all the physical spy-guy stuff, there were a several girly queries too. The HEA for one of my heroines involved a hunk of a diamond engagement ring. When looking up information on Harry Winston, I discovered that the company rarely works with stones that are smaller than three carats. So in order for the facts and the fiction to come together and still be feasible (a FBI agent with a Harry Winston-sized salary), I had to do a lot of research.
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| Pretty detailed stuff, right? Lol. |
And Sarah’s real-life knowledge helped me a lot with that story. I've
still never met anyone else who knows the dynamics of shooting a gun, blinding by engagement ring, a
fireman's carry, biting by a toddler and Judo. LOL! She’s just THAT good.
And if you happen
to have a certain area of expertise—include it in your
story. I guarantee readers will notice the mindful detail.
Personally, I feel like I still have much to learn about formal
research—I would love to discuss it with other authors and compare techniques.
Over the years I’ve
heard many authors talk about how they’ve conducted interviews to gather data. When your character is a
police officer or an FBI agent, a chef or a PR rep, it’s good to perform that kind of thorough research about their job. And while you’re at the interview table, don’t be afraid to ask about the inside facets of that career.
That's one perk I love about being a writer--you get the inside scoop on so many areas of life.
The only caveat to keep in mind is that not all information regarding certain positions (i.e. federal law enforcement) can be made public, so it’s good to also note what is open to fictionalization and what is not. There are workshops offered on going “Inside the FBI for Writers,” and I imagine that’s a good place to start when writing a Fed-based book.
That's one perk I love about being a writer--you get the inside scoop on so many areas of life.
The only caveat to keep in mind is that not all information regarding certain positions (i.e. federal law enforcement) can be made public, so it’s good to also note what is open to fictionalization and what is not. There are workshops offered on going “Inside the FBI for Writers,” and I imagine that’s a good place to start when writing a Fed-based book.
And here
I’ll beseech everyone to teach me—in what ways have you conducted writing research? Any fun stories to share? Any systems or methods that you find helpful? How do you go about setting up an research interview?
Thanks for stopping by and please come back tomorrow—
S is for SUBTEXT.
S is for SUBTEXT.
Goodnight! :0)

